Waldorf Largo is Back in My Rig (No Dongle Required Now) + Video of Original Krell Patch for Largo

It’s baaaaaack. Yes Waldorf Largo is back in play in my Ableton Live rig. To celebrate this, I’ve just published a short video of a Krell patch I made called “Cold Space” using Largo with a little inspiration from the Krell channeling themselves through Dr. Morbius.

Look Ma – No Dongle!

A big thanks to sound designer Empty Vessel who tipped me off that that Waldorf had changed their licensing scheme to use activation rather than eLicenser.

I logged into my Waldorf account and went to https://waldorfmusic.com/en/my-software and sure enough – there was an option to to convert the the Syncrosoft License Key. Looks like they made the change back in 2016 so I’m late to this party – but better late than never.

Ironically, I ALMOST recycled the the case that had the Largo CD and contained the Syncrosoft key this week! That would have been super sad – so thanks Empty Vessel!

largo-sounds-newechoRediscovery of Original Presets

I bought Largo back in 2011 and pretty much stopped it within a year because of the dongle buzz kill – and at the time I had a Blofeld. After I reinstalled Largo yesterday I remembered I had made some original presets for it. I dug through my backups and found 40+ original presets including “Cold Space” which is in the video above.

 

 

 

Here is another example of a preset I put on soundloud back in 2011. It shows off the awesome comb filter and FM on the Largo. I have the filters setup in “Serial” mode. Filter 1 is a comb filter which colors the sound and Filter 2 is low pass to control brightness.

Largo vs Blofeld

largo-vs-blofeld

Since were on the topic of Largo – I wanted to mention that there are differences between Largo and Blofeld. Largo some unique features such as sub-oscillators, 256 vs 25 note polyphony, and an awesome 6-stage chorus to name a few. See my blog post, and corresponding mind map for a more detailed look at Largo vs Blofeld.

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Mark Mosher
Synthesist & Multimedia Artist

Artist Site: NewEcho.com
Electronic Music Tech & Production Blog:  ModulateThis.com

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NO GHOSTS. JUST FEAR. – 5 Original Dark Ambient Synthetic Soundscapes

No Ghosts Just Fear cover

New Dark Ambient Album

I’m happy to announce the release of my new album No Ghosts. Just Fear. It’s an EP with five original horror soundscapes. The album is only available as an album download from Bandcamp.com as they supports the high-resolution formats required for proper listening :^)

Here is a link http://markmosher.bandcamp.com/album/no-ghosts-just-fear

Go for the High-Rez Download :^)
The dark ambient sounds and music within these arrangements was created and performed on various virtual instruments (see notes below). In some cases original audio recordings were used as sources then re-shaped with granular synthesis to turn these recordings into playable expressive instruments with huge sonic range and motion.

The album was mastered by the wonderful Gannon Kashiwa who is the Director of Digital Media at the Denver Museum of Nature and Science  – so you'll hear the incredible sonic range and detail of these pieces if you go for the downloads. The streaming versions just don’t do the tracks justice.

With this in mind I’m making the entire album (14 minutes of horror in 5 soundscapes) available for only $3. I hope this is a no brainer price that makes you want to go for the lossless CD Quality FLAC or at least MP3 320 (click here if you have questions about format). A lot of work went into the sonic detail so it’s worth it to take the time to listen on good system with a sub – or with great headphones. No earbuds please – lol.

Liner Notes +

The Liner notes pasted in below with the addition of “Synths Used” for you Modulate This! readers. Note tracks 2-4 each use a single synth and single deep performance preset programmed from INIT.

I hope hearing these tracks inspires you to dig deeper into programming from INIT with a smaller number of synths in your rig. Going deep allows you to create expressive patches and presets with performance in mind and transcend these synths making them true instruments.

I’ll also add that the entire album was produced and mixed with Ableton Live. Gannon Mastered in Pro Tools.

Thanks for your support and If you enjoy the album please pass it on. Happy Halloween!

Mark Mosher
Synthesist & Composer, Boulder, CO
http://www.MarkMosherMusic.com

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DSCN4970ABOUT THE ALBUM
This album contains five original instrumental horror soundscapes by Boulder-based synthesist and composer Mark Mosher. Listen in the dark on a great sound system with a sub-woofer or with good headphones (not ear buds) and let your imagination run wild! Then remember, it’s all in your head :^) 

 

 

CREDITS
© 2011-2012 (CC-BY-NC) Mark J. Mosher www.MarkMosherMusic.com
Composed, Arranged, Programmed, Performed, and Produced by Mark Mosher
Mastered by Gannon Kashiwa
Cover Design by Dave Weed
Cover Photo by Mark Mosher

TRACK NOTES

1 Primeval
Amygdala kicks in as you enter the fear zone. Remember, it's all in your head!

I use hand crafted synthetic sounds (subtractive and additive synthesis) to create strange tones, textures. and rhythms to build tension. Fast note-runs, and radical tempo changes will creep you out. This piece was performed using Percussa AudioCubes. Note I released this as a single in 2011. Even if you've heard it before I recommend you buy the album to get this new high-resolution remix. For this remix I reprogrammed some of the effects, remixed the track a bit, and then re-rendered with highest quality synth settings. Plus this track and all others were mastered by Gannon Kashiwa and it sounds simply incredible!

Synths Used: Waldorf Largo, 4 Instances of Image-Line Harmless. I also used Percussa Improvisor with original sequences controlled from AudioCubes which got fed into Live to drive the virtual synths. Further editing and production was done in Live.

2 Alone in the Dark
When you are alone in the dark your mind will play tricks.

Over the last year I've been spending time listening to the tone. harmonics, overtones, and distortion created by expressive electric guitar greats like David Gilmour. "Alone in the Dark" is my exploration of expressive manipulation of harmonics and distortion with a single synthesizer patch custom programmed. As a result you'll hear me go beyond the sonic range of guitars into the sub-harmonic realm.

Synths Used: Waldorf Largo

3 Fight or Flight
Your brain is on overload as you run for your life through a dark building searching for the exit.

I broke a long complex original audio recording into small chunks called "grains" with a custom patch in a virtual instrument called Absynth. My patch allows me to traverse, manipulate and perform with this massive sample as if it's an expressive instrument with a very unique harmonic palette.


4 Under the Spider’s Web
There is a dim golden light ahead in the dark. Between you and the light, there is a spider and of course a large web blocking your path. Was that something crawling down the back of your neck?

Like the last track, this is custom granular synth performance.

Synths Used: Native Instruments Absynth 5, Rob Papen Predator FX

5 Orbiting Miranda
Inspired by the film Serenity.

I used a variety of custom programmed virtual synths and effects to create this lush but dark ambient piece. Note I released this as a single in 2011. Even if you've heard it before I recommend you buy the album to get this new high-resolution remix re-mastered by Gannon Kashiwa.

Synths Used: Native Instruments Absynth 5, 3 Instances of Tone2 Saurus, Rob Pappen Predator FX & RP-Verb.

The Waldorf Time Warp Weekend Sale Including License SL for Blofeld Desktop for Activating Sample Memory

Watch embedded video.

Waldorf has a sale going on this weekend. The time warp theme is related to European daylight savings time change which happens this Sunday. The sale is for this weekend only.

Use the discount codes in the video for your order and save up to 30% on

  • Largo
  • Waldorf Edition
  • Waldorf Edition Upgrade
  • PPG V3
  • Waldorf PPG Wave 3.V Upgrade
  • Lector
  • Atmospheric Transients
  • Jörg Schaafs Blofeld Xperience Vol 1
  • Blofeld License SL

Note, Waldorf’s virtual synths require eLicenser software (and can also be transferred to USB-eLicenser). This is normally a show stopper for me but I like Largo so much I made an exception to my rule.  If your curious how Largo compares to the Blofeld, checkout this post. You can download demos of the instruments first if to see if they are right for you.

Also note that License SL is on the list. So if you’ve been waiting to upgrade you’re your Blofeld Desktop to activate the sample memory now might be the time.

Mark Mosher
Electronic Music Artist, Boulder, CO
Official Web Site: www.MarkMosherMusic.com
Listen/Download Albums: www.MarkMosherMusic.com/music.html
www.ModulateThis.com

Crowdsourced Mindmap: Synthesizers with Comb Filters

Synthesizers_with_Comb_Filters

I love comb filters! Buying a Waldorf Blofeld a few years back caused me to start using them even more because it’s interactive display allowed me to visualize the shape of the filter and correlate that with an audio result. Waldorf Largo and Tone2’s ElectraX also offer this feature.

What is a Comb Filter?

I like the definition on p. 49 of the Waldorf Blofeld Manual:

A Comb filter is basically a very short delay that can be controlled in length and feedback. The delay time is so short that you can’t hear its individual taps but a colorization of the original signal created by peaks or holes in the frequency spectrum. The frequency of the colorization is set by the delay length, which is controlled in the Blofeld through Cutoff, while the amount of colorization is set by the Comb filter feedback, which is controlled in the Blofeld by Resonance.

To further illustrate this, I’ve included a screenshot below which has the same filter type in Waldorf Largo, but with VERY different shapes simply  y changing cutoff and resonance.

image

What Do Comb Filter’s Sound Like?

Stay tuned for a future article on this with some video.

Crowdsourced Mindmap of Synths with Comb Filters

 A week or so back I was curious how many synths in my rig had comb filters and started to document them in a mindmap. I decided to take things a step further and crowdsource this on Twitter and Facebook and make an even more comprehensive map. The map is constrained to just synthesizers with comb filters that are in production. It also doesn’t contain FX plug-ins or processors that have combs.

Click here to view an interactive version of this mindmap full screen.

http://www.mindmeister.com/maps/public_map_shell/153682725?width=550&height=400&zoom=1

The Crowd

Be Combtastic

Now get out there and crank on those comb filters!

Mark Mosher
Electronic Music Artist, Boulder, CO
Official Web Site: www.MarkMosherMusic.com
Listen/Download Albums: www.MarkMosherMusic.com/music.html
www.ModulateThis.com

Mind Maps