I own both the Waldorf Blofeld keyboard edition plus the virtual instrument Largo so I thought I’d offer some notes on what is the same and what is different.
98% The Same
First let me say that Largo is indeed a Blofeld expressed as a virtual instrument. I’d say that the patch architecture about 98% similar. If you programmed a patch on either using parameters common to both without effects the resultant output would almost identical with just slight variance in timbre you’d expect from hardware vs software implementations. The parameter differences are not simply that one has more features than another -each has exclusive features, and some cases – such as effects – the features are similar but implemented differently.
I’ve created a mindmap to illustrate only the differences. Green highlights on a branch indicate which synth is better in a particular area.
Which is Right For You?
This depends on your priorities. If your primary goal is programming patches from scratch and you don’t care about samples being used as oscillator sources, Largo has a bigger sonic range in my opinion. If you want to use samples, you have to go with the Keyboard or Desktop Edition with License SL. The effects processor section is definitely stronger in Largo, especially the chorus. The color coding in the mindmap should help you make your choice.
Why Do I have Both?
I got the Blofeld first and fell in love with Waldorf waveforms, oscillators, filters, and architecture. I actually got the desktop, then sold it to get the keyboard edition for studio and jam use. However, my current performance rig is laptop-based and fits in two carry-ons (including my controllers) and I didn’t have room haul even the desktop Blofeld. So by adding Largo I have that Waldorf sound and architecture on my laptop and can use it in live performances out of town. Largo’s effects – especially the chorus are also quite fantastic. As a matter of fact, I have a new song on the upcoming album that was built almost exclusively around one patch where I do crazy things with the chorus using automation from dummy clips in Ableton Live.
Using Blofeld as a Dedicated Hardware Interface for Largo
The company Touch Digital Controllers is getting some buzz around their dedicated ImpOSCar2 hardware controller. What you might not know is that you can do something similar on the Waldorf side by using Blofeld as a dedicated control surface for Largo. This is possible because Waldorf designed both Largo and Blofeld such that each parameter has a corresponding MIDI CCs (which is how third party editors communication with Blofeld). That being said, I don’t think this is currently an intended use as it’s not document, a bit fiddly, and as you can see from the mindmap there are architectural differences. Also, some parameters like waveshape number are 0-based on Blofeld and 1-based on Largo (Blofled uses waveshape 0 as oscillator off where Largo has a dedicated parameter for this). So while it works it’s a bit sketchy.
I wish that Waldorf will go a step further with both synths to bring them to parity and line up synth parameters such that we all could could:
- Use Largo as a VST/AU editor for Blofeld
- Use Blofeld as a control surface for Largo
- Add sample support to Largo
- Share patches between both.
- Official Waldorf Web Site
- Blofeld 411 Post
- Other Posts on Modulate This! related to : Blofeld | Largo
Electronic Music Artist, Boulder, CO
Synthesist | Composer | Keyboardist | Performer
Thanks for reading,
Synthesist, Electronic Musician, Producer